Kurš apprecējās ar Viljams Adolfs Bugro?

  • Marie-Nelly Monchablon precējies Viljams Adolfs Bugro . Vecuma starpība bija 10 gadus, 11 mēnešus un 16 dienas.

  • Elizabeth Jane Gardner precējies Viljams Adolfs Bugro . Vecuma starpība bija 11 gadus, 10 mēnešus un 4 dienas.

    Laulība beidzās .

Viljams Adolfs Bugro: Laulības statusa laika skala

Viljams Adolfs Bugro

Viljams Adolfs Bugro

Viljams Adolfs Bugro (franču: William-Adolphe Bouguereau; dzimis 1825. gada 30. novembrī, miris 1905. gada 19. augustā) bija akadēmisma stila franču gleznotājs. Viens no sava laika visslavenākajiem un augsti atalgotajiem, bet impresionistu neatzītajiem, māksliniekiem. 20. gadsimtā gandrīz aizmirsts. Tomēr 20. gadsimta 80. gados, līdz ar figurālās glezniecības atdzimšanu, interese par Bugro atkal pieauga.

Dzimis Larošelā tirgotāja ģimenē. Studēja Daiļo Mākslu skolā (École des Beaux-Arts, Bordo). Papildinājies Romā. Pastāvīgs Salona dalībnieks. Dzīves laikā radījis vismaz 822 gleznu. Bija Žuliana akadēmijas pasniedzējs. Viens no viņa skolniekiem bija Anrī Matiss.

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Wedding Rings

Marie-Nelly Monchablon

Marie-Nelly Monchablon
dzimis
Apraksts tiks pievienots drīz.
 

Kāzu atrašanās vieta

Parīze, Francijas Karaliste, Francija

Viljams Adolfs Bugro

Viljams Adolfs Bugro
 
Wedding Rings

Elizabeth Jane Gardner

Elizabeth Jane Gardner

Elizabeth Jane Gardner Bouguereau (October 4, 1837 – January 28, 1922) was an American academic and salon painter, who was born in Exeter, New Hampshire. She was an American expatriate who died in Paris where she had lived most of her life. She studied in Paris under the figurative painter Hugues Merle (1823–1881), the well-known salon painter Jules Joseph Lefebvre (1836–1911), and finally under William-Adolphe Bouguereau (1825–1905). After Bouguereau's wife died, Gardner became his paramour and after the death of his mother, who bitterly opposed the union, she married him in 1896. She adopted his subjects, compositions, and even his smooth facture, channeling his style so successfully that some of her work might be mistaken for his. In fact, she was quoted as saying, "I know I am censured for not more boldly asserting my individuality, but I would rather be known as the best imitator of Bouguereau than be nobody!"

Gardner's best known work may be The Shepherd David Triumphant (1895), which shows the young shepherd with the lamb he has rescued. Among her other works were Cinderella, Cornelia and Her Jewels, Corinne, Fortune Teller, Maud Muller, Daphnis and Chloe, Ruth and Naomi, The Farmer's Daughter, The Breton Wedding, and some portraits.

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